Wynwood Project and the University of Michigan invite you to submit your work to this juried student competition. (A flyer is posted in the lab (CL145) and also available for downloading on server #8 in Dr. Hanger's Course Files.) Artists are asked to submit works that confront or interpret the notion of the world's mechanical/human connection and the environmentally minded man/machine.
Submissions are due to Milly Cardoso, Gallery Director of the UM Dept. of Art & Art History on or before Nov. 17, 2010. For submission guidelines see the flyer. (Submitted images require a description that includes title, medium, size of work and your name. Submit on CD or DVD. All media encouraged: multimedia, digital, photo, painting, sculpture, ceramics, graphic design, printmaking, and/or performance art.)
Submit or contact for more information:
Milly Cardos, Gallery Director
UM Art Dept.
1540 Lavante Ave
305-284-2542
COURSE OPTION: If you would like to work on a piece of artwork for this competition in class, you may substitute it for the first Illustrator Assignment (#5) and then switch both the due date (to Nov. 10) and the points earned to 10 (vs. 5). This illustration can be a raster image exploring some of the non-pen-tool features of illustrator and/or using Photoshop to create it.
If you choose this new option, you would then earn only 5 points on the label/packaging design (#7) and only be required to complete 2 vector drawings (#6/#7) by November 3 & 8. Your assignments would look like this:
5. Mechanomorphic Competition Art (5 points) Due Nov. 10
6. Vector Logo (5 points) Due Nov. 3
7. Package Design incorporating the above logo, (5 points) Due Nov. 8
If you have questions, let me know! And Good Luck!
Monday, October 18
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Using a Gradient Mesh
Using Live Paint & Fixing Gaps
Illustrator Type Tools
Manipulating Individual Letters in Illustrator
Use the Width Tool to Shape Letters
Warping Text in Illustrator
Unique Type Treatment
The Illustrator Curvature Tool
Terry White's Top Ai Tips
Smoothing with the Pen Tool as You Draw
Using Live Corners
Using the Curvature Tool
Layer Masking Explained
Advanced Masking
Photo Composite Basics
Using Alpha Channels
Using a Clipping Mask
Blending Modes Explained
Creating Realistic Shadows
Adding a Light Source
Changing Light Sources
Masking Hair in Photoshop
Secrets of HDR
Using Color Replacement to Select & Change Colors
A variety of demos of the color replacement tool
Fun with Color Themes
Playing with Complementary Colors
Spot Color
Painting with Color for a Warhol Effect
Match and Replace Colors
Achieving Cinematic Colors in Photoshop with Alpha Channels
Photo Sharpening Tips
Jonathon Klein: World Changing Photos
Or community based creativity?
Photo Artist Eugenio Recuenco
This is photography, not animation!
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